Artist's impression of the planned casino hotel in Norway: low stone and timber buildings with slate roofs on a rock above the Sognefjord at dusk, windows lit warm Artist's impression of the round timber assembly hall with a conical roof on the headland, beside a circle of old stones, mist over the water Artist's impression of the main hall interior: oak panelling, tall narrow windows onto the fjord and heavy wool curtains

§ 01 · A resort in development · Sognefjord, Norway

A Casino Hotel in Norway, Planned on an Island of Old Law

Tingholm is a five-star island resort now in development at the mouth of the Sognefjord. The estate is being designed around an old assembly place on the headland; the opening date is to be announced.

Artist's impressions. Layouts, areas and finishes may change during construction.

§ 02The estate

What casino resorts today can learn from a place built for talking

Tingholm is planned as a casino hotel in Norway of an unusual kind: a low estate of stone and dark timber on a small island where the Sognefjord opens towards the sea. The name joins two old Norse words — ting, the assembly where law was spoken aloud, and holm, a small island.1 On the headland a circle of old stones still stands in the heather, and the whole estate is being drawn around it.

A five-star hotel in Norway could easily have been drawn as a tower of glass; this one is designed to stay low. Weather on this coast arrives from the west in long, wet bands, and the plan answers it the way the farms along the fjord always have: thick granite walls, slate roofs, deep window reveals and courtyards that keep the wind off. Nothing is planned to rise above the ridge line, so from the water the estate should read as part of the island rather than something set down on it.

Everything turns towards the headland. The guest wings, the dining rooms and the baths are arranged as a loose ring, with the round hall and the stone circle at the point where the island narrows. It is the same idea that shaped the old assemblies: people talk better when nobody sits at the head of the table. For now the estate exists as drawings, models and planning documents; none of it has been built yet.2

Artist's impression of the estate courtyard: cobbled stone, a timber gallery, a heather slope and the fjord seen through a stone arch
The inner courtyard, looking west through the arch.
Artist's impression of a detail of hewn granite, a black wrought-iron latch and an oak door with a drop of rain
Granite, oak and black iron — the three planned materials of the estate.
Planned

Project figures. Subject to change during design and construction.

58
rooms, suites & houses
3
restaurants & bars
1 400
baths
9
rooms for meetings
§ 03The oldest room on the island

A circle of stones, and a hall built to face it

Artist's impression of the interior of the round assembly hall: timber benches in a circle, an open centre and a conical ceiling with soft light from above
Artist's impression of a circle of old grey stones on a heather headland in mist, the fjord below
The stone circle on the headland. It will be left as it is.
Artist's impression of a heavy oak bench with a wool cushion beside a turned timber post in the round hall
Oak bench and turned post in the hall.

For centuries, law in Norway was not written down first; it was spoken. Free people met in the open air at the ting, and a lawspeaker recited the rules from memory so that everyone present heard them the same way. Many of those meeting places were marked by stones set in a ring. On the headland of the island, one such circle survives in the heather, weathered grey and without inscription.3 The estate is being built beside it, not on it. The round hall planned a short walk inland repeats its geometry: timber benches in a circle, an open centre and a conical roof that lets light in from above. It is intended for conversation, lectures and small ceremonies — a room in which every seat faces every other.

  1. Built beside, not on top

    The headland is planned to stay as it is. Buildings are set back from the stones, and the footpath is designed to lead around the circle rather than through it.

  2. A room without a head of the table

    The round hall is planned for talks, lectures, readings and ceremonies. With benches in a ring and an empty centre, nobody presides and nobody sits at the back.

  3. Open to guests, quietly

    Guests will be welcome in the hall and on the headland path during quiet hours, in small groups, so that the place keeps the stillness that makes it worth visiting.

Artist's impressions. Layouts, areas and finishes may change during construction.

§ 04The Summit Wing

A wing planned for quiet conversations

The Summit Wing is planned as a separate part of the estate for arbitrations, closed board meetings, industry round tables and working groups that need a few undisturbed days away from their offices. It is designed with its own covered arrival, its own entrance and a separate lift, so that participants can come and go without crossing the hotel lobby. A document room is planned beside the meeting rooms, with a table for working through papers.

Norway has a long reputation as a calm place to talk things through. The wing is designed with that in mind — and with the practical details that make a long meeting easier to run: daylight, thick walls, good chairs, coffee that arrives without anyone having to ask.

  • Planned

    A separate arrival

    A covered drive and an entrance of its own are planned for the wing, so that participants can arrive and leave without passing through the lobby.

  • Planned

    Rooms designed to be quiet

    Double doors, heavy felt on the walls and planned soundproofing between rooms are intended to keep one conversation from reaching the next.

  • Planned

    No cameras in the meeting rooms

    Cameras are planned for corridors and the perimeter only. No cameras are planned in the meeting rooms themselves.

  • Planned

    A document room

    Lockable cabinets, a large table for working with papers and a shredder are planned in a room next to the meeting rooms.

Planned meeting rooms in the Summit Wing
Room Planned seating Arrangement
Round room 10 One round oak table
Working room 16 Long table, room for papers
Two small rooms 6 each For side conversations and breaks

These are design intentions for a building that does not exist yet. Nothing here is a guarantee of confidentiality, and Tingholm is not a law firm and provides no legal services.

§ 05Chambers

Planned chambers, suites and houses

Six kinds of luxury accommodation are planned, from a small writing room for one to a residence on its own islet. Each is described below as it is currently drawn; areas and layouts may change as the design develops.

Artist's impression of the Scribe Room: a small room with a writing desk beside a narrow window

The smallest of the planned chambers, and perhaps the most particular. The Scribe Room is designed around a writing desk set into the reveal of a tall, narrow window, with a lamp, good paper and a view down the fjord. The bed stands against a wall panelled in oiled oak; the bathroom is lined in grey stone, with a deep basin and a walk-in shower. A window seat with a wool throw is planned for reading in bad weather, of which the coast has plenty. It is meant for a guest travelling alone, or for a couple who would rather spend their days outdoors and their evenings quietly.

  • Writing desk in the window reveal
  • Grey stone and oak bathroom with walk-in shower
  • Window seat with wool throw
  • Artist's impression of the Scribe Room desk with a lamp and a plain inkwell
  • Artist's impression of the Scribe Room bathroom in grey stone and oak
  • Artist's impression of the Scribe Room window seat with a wool throw
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Artist's impression of the Counsel Room: two armchairs facing a window onto the fjord

The Counsel Room is arranged for the hour between dinner and sleep. Two deep armchairs face a wide window onto the fjord, with a low oak table between them for a book, a glass or a map of tomorrow's walk. The bed sits further back, out of the light, and a chest of drawers with a mirror stands against the panelled wall. The shower is planned in dark slate, with a bench and a heated floor for coming in from the rain. It is the room most couples are expected to choose: large enough to spend a wet afternoon in, and quiet enough to hear the water.

  • Two armchairs facing the fjord
  • Slate shower with bench and heated floor
  • Chest of drawers and mirror in oiled oak
  • Artist's impression of two armchairs and a low table in the Counsel Room
  • Artist's impression of the Counsel Room slate shower
  • Artist's impression of the chest of drawers and mirror in the Counsel Room
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Artist's impression of the Lawspeaker Suite: a corner suite with a high ceiling and exposed beams

Named after the official who recited the law at the assembly, the Lawspeaker Suite takes a corner of the west wing, with windows on two sides and a ceiling open to the roof beams. The bed is planned beneath the highest part of the roof; a sofa bed allows a third guest. The bathroom has a freestanding bath set in front of a window onto the fjord, and a small balcony hangs directly over the water, wide enough for two chairs and a blanket. Suites with fjord views on two sides are rare on the estate; this is the one drawn with the widest outlook.

  • Corner position, windows on two sides
  • Freestanding bath facing the fjord
  • Balcony over the water
  • Artist's impression of the bed under the roof beams in the Lawspeaker Suite
  • Artist's impression of the Lawspeaker Suite bath beside a window onto the fjord
  • Artist's impression of the small balcony above the water
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Artist's impression of the Charter Suite with a private study and a fireplace

The Charter Suite is planned for guests who come to the island to work as well as to rest. Its study has an oak desk, shelves, a reading chair and an open fireplace, and it closes off from the bedroom with a heavy door. The study is intended for work — reading, writing, calls — rather than for receiving outside visitors; meetings are planned to take place in the Summit Wing. Beyond it are a bedroom with a view along the shore and a bathroom in stone and oak with both a bath and a shower. A daybed in the study can take a third guest.

  • Private study with oak desk and open fireplace
  • Separate bedroom with shoreline view
  • Bathroom with bath and shower
  • Artist's impression of the Charter Suite study with an oak desk and fireplace
  • Artist's impression of the Charter Suite bedroom
  • Artist's impression of the Charter Suite bathroom
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Artist's impression of the Seal House: a separate stone house with a slate roof by the water

A little apart from the main estate, the Seal House is planned as a stone cottage of its own at the water's edge, under a slate roof. Inside, a living room with a wood-burning stove opens onto a private terrace and a small jetty; two bedrooms sit at the back, away from the wind. A wood-fired sauna is planned in an outbuilding a few steps from the fjord, so the cold plunge is the fjord itself. For families or two couples travelling together, it is the closest the estate comes to a boutique luxury stay in a house of your own, with the restaurant and baths a short walk away.

  • Living room with wood-burning stove
  • Private terrace and jetty
  • Wood-fired sauna by the water
  • Artist's impression of the Seal House living room with a stove
  • Artist's impression of the Seal House private terrace and jetty
  • Artist's impression of the Seal House sauna
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Artist's impression of the Island Residence: several low buildings on a private islet

The Island Residence is planned on a separate islet just off the main island: a group of low stone and timber buildings arranged around a sheltered yard. The largest holds a great room with a hearth and a dining table for six; three bedrooms are spread across the smaller buildings, so that each has its own door to the outside. A boathouse and jetty are planned at the water, and the residence is expected to be reached by boat from the main landing — arrangements to be announced. It is drawn for a family or a small group who want the estate close at hand, but not around them.

  • Private islet with several buildings
  • Great room and dining table for six
  • Boathouse and jetty
  • Artist's impression of the great room in the Island Residence
  • Artist's impression of the dining table for six in the Island Residence
  • Artist's impression of the boathouse and jetty of the Island Residence
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§ 06Dining
Artist's impression of the planned dining hall: long oak tables, tall windows, candles and grey stone

A kitchen to stand beside the top casino resorts in Scandinavia

That is the ambition, not a claim: the restaurant has not cooked a single meal yet. What is planned is a long, candlelit dining hall of oak and grey stone, with tall windows onto the water and tables long enough to share. The cooking is meant to follow the coast and the season — fish landed along the fjord, lamb from the hill farms inland, berries, grains and dairy from neighbouring valleys — with a short menu that changes as the weather does.

Breakfast is planned to be served in the same hall, slowly, as it should be at a fjord hotel: bread baked on the island, and the view doing most of the work.

Artist's impression of the bar: dark oak, a pewter counter and bottles without labels

The bar

A dark oak room with a pewter counter, planned for the hour before dinner and the long evenings after it. The list is intended to lean on Norwegian aquavit, cider from the orchards along the fjord and a small, careful selection of wine, with alcohol-free drinks treated as seriously as the rest.

  • Artist's impression of a dish of fjord trout with dill and cucumber

    From the fjord

    Trout, dill, cucumber

    Cold, clean water makes for firm fish. A dish of this kind shows the direction: fjord trout, lightly cured, with dill and cucumber.

  • Artist's impression of a dish of lamb with root vegetables and a dark sauce

    From the mountains

    Lamb, roots, dark sauce

    Lamb that has grazed the summer hills, slow-cooked, with roots from the valley and a sauce reduced for most of a day.

  • Artist's impression of a dessert of bilberries, sour cream and oat crumble

    From neighbouring farms

    Bilberries, cream, oats

    Wild bilberries, cultured cream and toasted oats — the simplest dessert on the coast, done carefully.

Artist's impression of a stone cellar with barrels, cheeses, unlabelled bottles and a lantern

The cellar

Beneath the dining hall a vaulted stone cellar is planned for ageing cheese, keeping wine and curing fish, as cellars on the coast always have. It is also drawn as a small room of its own: a single table by lantern light for tastings and long, unhurried dinners for a handful of guests.

§ 07The lounge

The entertainment and gaming lounge

Subject to licensing
Artist's impression of the planned hotel casino lounge, with dark green felt tables, oak panelling and low lamps, empty of people

Norway does not currently license land-based casinos; gambling in the country is limited to operators holding exclusive rights. Tingholm's gaming lounge is therefore planned on one condition: it will open only if the necessary permission is granted. If it is, the aim is a hotel casino of a particular kind — small, quiet and well run, closer in spirit to a private club than to a gaming floor, and the part of a top casino resort that guests remember for its calm rather than its noise.

If permission is not granted, the rooms are designed to work as a lounge for cards, conversation and music, without gaming of any kind.

  • Artist's impression of a poker table with plain chips and no people

    Poker Room

    A single room of felt tables under low lamps, planned for organised games at a measured pace.

  • Artist's impression of a roulette wheel in close-up, its numbers blurred

    Roulette

    A table game in the classic form, planned for a quiet corner of the lounge rather than its centre.

  • Artist's impression of restrained gaming machines set in oak niches, their screens glowing softly

    Gaming Salon

    A small number of machines set into oak niches, with soft light and no flashing signs.

  • Artist's impression of a private salon with a fireplace, leather armchairs and a single table

    Private Salon

    One table, a fireplace and leather armchairs, planned for small private games by arrangement.

The gaming lounge is planned as a separate part of the estate with its own entrance, and it is kept apart from the Summit Wing.

House rules, as planned

  • Entry for adults aged 18 and over only.
  • Valid photo identification will be checked at the door.
  • Smart dress; the details will be published before opening.

Responsible gaming

Gaming should stay a pastime. If the lounge opens, it will follow Norwegian rules on responsible gambling, and staff will be trained to notice when play stops being fun. Free, confidential help is available now from Hjelpelinjen on 800 800 40.

§ 08The Baths

Water, stone and a great deal of silence

The baths are planned beneath the east wing, cut partly into the rock: a sequence of vaulted stone rooms with light falling from above and one long window onto the fjord. They are designed for slow circuits rather than treatments on a schedule, and for the kind of quiet in which you can hear water moving in the next room.

  • Artist's impression of an indoor pool under stone vaults, lit from above

    The pool

    A long indoor pool under stone vaults, lit from openings in the roof. Warm enough to stay in, long enough to swim properly.

  • Artist's impression of a timber sauna with a window onto the fjord

    The sauna

    A timber sauna with a single wide window at bench height, so that the fjord is the only thing to look at. A second, smaller sauna is planned by the water.

  • Artist's impression of a stone cold-water plunge with steps down into dark water

    The cold bath

    A deep stone plunge fed with cold water, with broad steps for going in slowly. For the braver, the fjord is a few steps outside.

  • Artist's impression of a rest room with daybeds, wool blankets and narrow windows

    The rest room

    Daybeds, wool blankets and narrow windows onto the water. No screens and no music, only the sound of rain on the roof when there is rain.

The rhythm

  1. Heat

    Ten or fifteen minutes in the sauna, until the warmth reaches the bones.

  2. Cold

    A short plunge in the cold bath or the fjord, long enough to take a breath.

  3. Rest

    Wrapped in wool by a window, for as long as it takes. Then again, if you like.

The baths are planned at around 1 400 m², shared between the pool, two saunas, the cold bath, rest rooms and a small number of treatment rooms — enough for Tingholm to stand as a spa resort in Norway in its own right, not only as a hotel with a pool. Parts of each day are planned as quiet hours, when the baths are kept for adults and conversation is kept to a murmur. The layout is at an early stage and may change as the design develops.

§ 09Gatherings
Artist's impression of the great hall with oak trusses, laid for a banquet, with tall windows

Gatherings under oak trusses

The largest room on the estate is planned as a hall of oak trusses and tall windows, long enough for a banquet and bare enough to become a conference room, a concert hall or a dance floor. Beside it, a panelled salon with a fireplace is designed for receptions and smaller dinners, and the round hall on the headland can host lectures and ceremonies in a circle.

Together they are intended to make Tingholm a meeting and conference venue in Norway on the scale of a country house: large enough for a company gathering or a wedding, small enough that a group can take over the whole estate.

  • Artist's impression of a panelled reception salon with a fireplace and round tables

    Receptions

    The Salon

    Panelled walls, a fireplace and round tables — planned for receptions, anniversary dinners and the evening after a long day of meetings.

  • Artist's impression of a ceremony setting on a heather headland: wooden chairs and an arch of grasses before the fjord, with no people

    Ceremonies

    On the headland

    Small ceremonies are planned in the open air on the headland, for a limited number of guests and only when the weather allows. The stone circle is not used as a backdrop, and guests do not enter it.

Planned capacity
Room Theatre Banquet Boardroom Reception
The Hall 280 180 Not applicable 320
The Salon 120 90 30 140
The Ting hall 90 Not applicable Not applicable 110

Early questions about gatherings are welcome. We cannot confirm dates or offer terms yet, but we are glad to hear what you have in mind.

[email protected]
§ 10The charter

The charter

This is not a legal document. It is a list of how the estate intends to work; the final house rules will be published before opening.

  1. Quiet is the default

    Rooms, corridors and shared spaces are designed for low voices. Music is kept to the rooms meant for it.

  2. The headland stays public

    The path and the headland are intended to remain open to walkers, guests or not, in keeping with Norway's right to roam. The stone circle will never be closed off for private use.

  3. No photography of other guests

    Guests will be asked not to photograph other guests, and staff will not photograph anyone without asking first.

  4. Meetings are the guests' business

    Staff will not comment on who is staying or who has met whom, and guests' names will not appear in the estate's publicity without their consent.

  5. Hiring from the region first

    Jobs are intended to go first to people from the fjord communities, with training for those who are new to hospitality.

  6. The gaming lounge stays separate, and 18+

    If it is licensed at all, the lounge will have its own entrance, stay apart from the Summit Wing and the baths, and admit adults aged 18 and over only.

  7. What we cannot promise yet

    The opening date, a licence for the gaming lounge, and the final areas and layouts of the estate. Each will be confirmed only when it is certain.

This charter is a statement of intent, not a contract, and not legal advice.

§ 11Archive

From the project archive

Studies made during the design of the estate, filed as a working archive: the buildings, the rooms, the details and the landscape around them.

  • Artist's impression of the estate seen from the water at dawn, in mist
    Exterior · Nº 01 The estate from the water at dawn
  • Artist's impression of a staircase of oak and stone beside a narrow window
    Interiors · Nº 02 Oak and stone stair
  • Artist's impression of a bed with linen sheets and a wool throw beside a window
    Chambers · Nº 03 Linen, wool and a window
  • Artist's impression of a pewter candlestick and a folded wool blanket on a bench
    Details · Nº 04 Pewter candlestick and wool
  • Artist's impression of the Sognefjord between steep slopes, with a boat in the distance
    Region · Nº 05 The Sognefjord between steep slopes
  • Artist's impression of a stone jetty and a boathouse with a slate roof
    Exterior · Nº 06 Jetty and boathouse
  • Artist's impression of raindrops on a window pane with the fjord blurred behind
    Details · Nº 07 Rain on the glass
  • Artist's impression of a library corner with an armchair and a green lamp
    Interiors · Nº 08 Library corner
  • Artist's impression of a heather slope and an old stone field in low sun
    Region · Nº 09 Heather and old stone field

Artist's impressions. Layouts, areas and finishes may change during construction.

§ 12The region and getting here

A fjord coast worth the journey

Vestland is a coast of deep fjords, steep farms and small harbours, where the weather changes by the hour and the light with it. Tingholm is planned as a western Norway resort in the full sense: a base for exploring the coast slowly, on foot and on the water.

  • Artist's impression of a narrow fjord between high cliffs, the water still

    The fjord

    The Sognefjord runs far inland between walls of rock. Its side arms are narrower still, and quieter.

  • Artist's impression of a wooden stave church among trees

    Stave churches

    Medieval timber churches still stand in the valleys of the region, dark with tar and centuries of weather.

  • Artist's impression of a footpath across a heather slope above the fjord

    Walking

    Paths climb from the shore to old summer farms and viewpoints. Some take an hour, some take the whole day.

  • Artist's impression of kayaks on a calm fjord, the paddlers small and seen from behind

    On the water

    On still mornings the fjord is best seen from a kayak or a small boat, close to the cliffs and the waterfalls.

Artist's impression of an illustrated map of western Norway and its fjords
  • Vestland coast
  • Sognefjord
  • Bergen
  • Project area — exact location to be announced
Illustrative map, not to scale

Getting here

The estate is planned on the Vestland coast, on an island at the mouth of the Sognefjord. The largest airport in the region is Bergen (Flesland), with flights from across Norway and Europe.

From Bergen, the journey north is expected to continue by road and local ferry, as most journeys along this coast do; the last few miles to an island hotel in Norway are usually over water. Distances, transfers and the estate's own landing for boats are to be announced as the project develops.

§ 13Questions

Frequently asked questions

Short, plain answers about the project as it stands. For anything else, write to [email protected].

Not at the moment. Norway does not currently license land-based casinos, and gambling is limited to operators with exclusive rights: Norsk Tipping, which is state-owned, and Norsk Rikstoto, a foundation with exclusive rights to horse-race betting. Tingholm is a project in development, and its gaming lounge is planned subject to licensing — it will open only if permission is granted.

No. Nothing has been built yet, and reservations are not open. You can join the interest list, and we will write when there is real news: plans, dates and how reservations will work. You can leave the list at any time by writing to [email protected].

Scale and setting, mainly. Tingholm is planned as a low stone estate on a fjord island rather than a tower, built around an old assembly place with a round hall on the headland. It adds a separate wing designed for quiet meetings and a large bathhouse of stone and water, with the gaming lounge kept small and apart.

A gaming lounge is planned, but only if the necessary permission is granted under Norwegian law, which does not currently allow land-based casinos. Either way, Tingholm is meant to be a hotel with a casino rather than a casino with rooms attached: the rooms, the food, the baths and the landscape come first, and the lounge is designed to work without gaming if it must.

No. Tingholm is a hospitality project. It is not a law firm and provides no legal services or legal advice, whatever the website address may suggest. If you need legal help in Norway, the Norwegian Bar Association (Advokatforeningen) or a local lawyer is the right place to start. Please do not send us details of legal matters.

It is a planned wing for arbitrations, board meetings and working groups, with its own arrival, entrance and lift, meeting rooms with planned soundproofing, and a document room. No cameras are planned in the meeting rooms. These are design intentions for a building that does not exist yet, not a promise or a guarantee of confidentiality.

The opening date is to be announced. The project is still in design and planning, and a date will be published only once it can be given with confidence. Members of the interest list will hear first, by email, together with details of how reservations will work.

On an island at the mouth of the Sognefjord, in Vestland, western Norway. The exact location is to be announced later in the project. The largest airport in the region is Bergen (Flesland); the onward journey is expected to be by road and local ferry, with details to be announced.

They are very different kinds of places. Large destination resorts are built around scale and choice: many rooms, many restaurants, a great deal happening at once. Tingholm is planned the other way round — a small number of rooms on a fjord island, long walks and quiet evenings, with gaming as one modest part of the stay. Editorial comparison only; no connection.

Artist's impression of the estate far off on its island at blue hour, with water in the foreground

§ 14 · Interest list

Be first in line to book a casino hotel stay

Reservations are not open yet.

Join the interest list